Our studio
Feed The Ravens is a living dialogue between past and present, shaped by the places we’ve been and the objects that have endured. We share a deep reverence for the handmade — a thread that runs through everything we do.
We study extant archaeological pieces, spending time with the materials and forms that once shaped daily life. In collaboration with master artisans, we translate these histories into modern homewares and wearables.

The Old Odd Fellows Hall
We live and work in the former Odd Fellows hall in Monroe with our two dogs, Bazyl and Grover. The Odd Fellows — a mutual aid society dating back to 18th-century England — came to the U.S. in 1819 and has a long history in Maine. Maggie’s great grandfather was himself a member. As their numbers dwindled, the group chose to sell the hall, using the proceeds from its sale to us to continue their mission of community service.
We’ve been bootstrapping its renovation ever since — piece by piece. Scot’s leather workshop and a small retail space sit on the ground floor; Maggie’s ceramics studio is below.
Visit us
2025 Studio Open Days
We’re located at the crossroads of 141 and 139 between Bangor and Belfast, in Monroe, Maine.
Jun 28-29
Aug 23-24 • Aug 30-31
Sep 6-7 • Sep 13-14
Saturdays 11am-7pm
Sundays 11am-5pm
Year round by appointment

Maggie King, Ceramicist
I create one-of-a-kind ceramic vessels for the table — pieces that echo the form and soul of pre-medieval Europe. My work is rooted in classical silhouettes and ancient mark-making traditions. Each vessel is wheel-thrown, then carved, stamped, and inlaid with slip. I glaze only the interior and occassionally small parts of the exterior, allowing the raw clay to carry its own voice.
For over a decade, I’ve studied and recreated historical ceramics for museums and festivals across Europe. Those experiences continue to inform my modern work. I pore over archaeological records, tracing the shared language of form, ornament, and function across centuries and cultures. These modern pieces aren’t replicas — they’re echoes. Designed to be used, felt, and passed on.

Scot King, Leather & Ornament
I am a raconteur, traveler, curator and maker. Perhaps that’s why the history and craft of the Viking Age appeal to me. I’ve ventured far and wide to collect beautiful things, to interact with other cultures, to be inspired by various heritage craftspeople, to learn from them and laugh with them. I am particularly fortunate to be able to create alongside my wife, and that we vibrate on the same making frequency. It’s a particular kind of closeness to create beautiful things with your significant other, whether we are collaborating on ceramics or just working side by side.
No Nazis
We find it alarming that white supremacists are actively taking Viking Age symbols out of their historical context and using them as symbols of hate. We, and other reenactors/historians, must resist this so that Norse culture is not lost to misappropriation by racist ideology. We recognize that because we make and sell crafts associated with Norse and Viking Age history, some people may mistakenly associate us with right-wing white supremacist culture, so we hereby state publicly that we condemn bigotry and racism in any and all forms. We support civil and human rights and welcome all people into our booth, our shop and our lives, ....unless they identify as Nazis.